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Sweeney Todd: The Demon Barber Of Fleet Street - Special Edition
R1 - America - Paramount Home Entertainment Review written by and copyright: Andreas Petersen (16th April 2008). |
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The Film
 I’m a huge fan of both gory movies and musicals. So long I desired a successful combination of the two, but alas, I would have to settle for watching "Hostel" (2005) and "Grease" (1978) on two separate occasions. That is until Tim Burton decided to bring "Sweeney Todd", the successful Broadway play, to the big screen. So what could go wrong? How could I not have been leaping out of my seat with joy at this very notion? Here’s how. Three out of Burton’s last four films, in my opinion, have been utter trash. I won’t beat down too much on his re-make of "Planet of the Apes", because what’s the point of beating a dead horse? But I absolutely hated "The Corpse Bride" (2005) and "Charlie and the Chocolate Factory" (2005). After so many misses, Burton, whom I once loved, was dead to me. This is why my hopes for "Sweeney Todd" were below the Earth’s crust to say the least. Luckily for me however, I gave it a chance, and discovered one of the biggest surprises to come my way in ages. For those unacquainted with the story, Sweeney Todd (Johnny Depp), is the titular character of the film. Once called Benjamin Barker, he has returned to London under a new name after serving 15 years in prison for committing no crime. In his absence, the evil Judge Turpin (Alan Rickman) has raped and killed his wife, and adopted his daughter (Jayne Wisener), whom he plans to marry. Sweeney teams up with local pie-shop owner Mrs. Lovett (Helena Bonham Carter), to open a barber shop in which he kills people and she makes them into pies. This entirely over-simplified version of the plot should serve to portray just how deliciously demented this film is. Really, it’s rare to see a film so unabashedly twisted get a mainstream release here in the states, let alone a star studded cast like this. The kills are completely ridiculous as well, as patrons’ throats are slashed, spurting out more blood than I think the human body can hold. The only thing sweeter than the kills in the film are the songs, which completely won me over. Every tune feels orchestrated with the highest skill, coupled along with a brilliant overbearing organ score, or soothing violins. Also, unlike most musical films, the cast recorded their own voices, giving it a very authentic feeling. This is helped along with the amazing acting all around, but specifically from Sacha Baron Cohen, playing Signor Adolfo Pirelli, a rival barber of sorts. His performance alone makes this movie worth a watch. The thing I may appreciate most of all about this movie is how unique it is. It has the makings of a brilliant comedy, musical, and horror film, all wrapped up into one package. Seriously, what other movie can you see people sing whilst slitting throats? I thought so. While I haven’t been impressed with Burton’s films as of late, I welcome him back into my trust with open arms after his huge success with "Sweeney Todd." Let’s just hope he’s gotten over a rough spot in his career, and can retain the magic he’s seemed to capture with this flick.
Video
The film is presented in an impressive widescreen 1.85:1 anamorphic transfer. The film’s dark look never feels “too dark”, as in you can always tell what is happening on screen. Also, it must be noted that at times the film almost looks to be in grayscale, due to the bleak production design, but for some reason, the colors, or even lack there of, seem to contrast brilliantly. There are also instances of incredibly effective bright colors used to contrast the dark. Overall, a beautiful looking film, and a brilliant transfer to suit this.
Audio
The film is offered in an amazingly clear and clean English Dolby Digital 5.1 track. As with any musical released on DVD, the sound quality is one of, if not the, most important part of the production, and "Sweeney Todd" is no different. Not only does the music and lyrics come out clear, but all the sounds of London come to life as well, moving around the room accordingly. The film is also offered an a Spanish Dolby Digital 5.1 track, as well as a French Dolby Digital 5.1 track, along with English, Spanish, and French optional subtitles.
Extras
Released by Paramount as a 2-Disc 'Special Edition' it comes with a plethora of great extras, including many featurettes, gallery stills and a theatrical trailer. These are examined below: DISC ONE: First up is the sole special feature on disc one. "Burton + Depp + Carter = Todd" featurette, running for 26 minutes and 7 seconds, is a great featurette that explores the professional relationship between these three artists, discussing why the three of them work with each other so commonly. Also, this feature goes into how Burton discovered "Sweeney Todd", as well as looking at the process of recording the singing voices for the film. DISC TWO: The first of the 2nd disc's many features is "Sweeney Todd Press Conference November 2007" featurette, running for 19 minutes and 41 seconds. At this table-discussion, Burton and the actors are asked questions by the press, and they are all answered in a candid fashion. This feature reminded me of how personable Burton, as well as all the actors of the film, can be. Next up is "Sweeney is Alive: The Real History of the Demon Barber" featurette, running for 20 minutes and 7 seconds. This feature examines the origins of the Sweeney Todd myth, dating back to the 1700's. Also, whether or not the story has any factual foundation is examined, coupled along with very charming pictures from old story books about Sweeney Todd. "Musical Mayhem: Sondheim’s Sweeney Todd" featurette, running for 12 minutes and 3 seconds, sits down with one of the play’s original creators, Stephen Sondheim. Sondheim recounts discovering the tale of Sweeney Todd, and instantly identifying that it would make a great musical. "Sweeney’s London" featurette, running for 16 minutes and 15 seconds, examines how Burton’s interpretation of the film’s setting came to be. This feature goes into a bit of London’s history, examining a period of both poverty and decadence, and how that was translated into the film. "The Making of Sweeney Todd The Demon Barber of Fleet Street" featurette, running for 24 minutes and 2 seconds, examines the actual production of the film. This is a decently entertaining behind the scenes look at how the movie came together, as you really get a sense that it was a blast to make. "Grand Guignol: A Theatrical Tradition" featurette, running for 19 minutes and 14 seconds, was my favorite feature offered in this 2 disc set. This feature examines an old French horror-theater style, making use of on-stage gore, organ music, and other morbid affairs, which influenced the production of "Sweeney Todd" greatly. I really had no idea that such a theater style existed, let alone in the 40s. A truly fascinating look at something I’m sure many people don’t know about. "Designs for a Demon Barber" featurette, running for 8 minutes and 55 seconds, goes behind the scenes to examine the film’s Academy Award winning art direction, and how it was influenced by 1940's Hollywood horror films. "A Bloody Business" featurette, running for 8 minutes and 52 seconds, is an interesting feature on the film’s gory special effects, focusing mainly on the infamous throat slashings. This feature also explains how the FX team didn’t want the gore of the film to look real, but rather ludicrous. "Movie Phone Unscripted with Tim Burton and Johnny Depp" featurette, running for 11 minutes and 36 seconds, is similar to the press conference feature earlier on, in which Depp and Burton are asked questions, this time from fans, and are addressed in a very candid manner. This is a gold mine of Burton and Depp banter. "The Razor’s Refrain" featurette, running for 8 minutes and 40 seconds, is a series of still taken from the movie, set to the soundtrack. Also included is the theatrical trailer, funning for 2 minutes and 32 seconds. Lastly, the disc also contains a photo gallery, full of conceptual art as well as behind the scenes stills.
Packaging
Packaged in a 2-disc amaray housed in a die-cut cardboard slip-case.
Overall
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